Alfie Solomons (
devoutish) wrote in
snowblindrpg2016-12-19 02:36 am
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[log] fuck [closed]
Characters: Alfie Solomons, Emily Kaldwin, Gregory House, John Watson, Royce Melborn, Tifa Lockhart
Location: building 120 and building 101
Date: evening of 190 to morning of 192
Summary: when you see "House" and "Royce" in the same log you know it's gonna be a party
Warnings: ear removal
Catch-all for EVERYTHING - death, murder, torture, yelling, etc. Top-level and tag as you see fit.
Location: building 120 and building 101
Date: evening of 190 to morning of 192
Summary: when you see "House" and "Royce" in the same log you know it's gonna be a party
Warnings: ear removal
Catch-all for EVERYTHING - death, murder, torture, yelling, etc. Top-level and tag as you see fit.
BUILDING 120
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And then he sees the signs of someone else being here, hears the sound of movements and, perhaps, voices. Okay. Okay, this is fine. There's no way he didn't just let everyone in the house know he's here, but he can just... quietly slide off to an unoccupied room and tell them to go away. The paranoia after his encounter with Bucky and his conversation with Alfie is running high.
Maybe you'll catch him sneaking away.]
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House?
[She's already imagining the hellish time she's going to have convincing Royce to steer clear, because there's no way House is getting to another building before lockdown.]
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Ah, look who's come to see us tonight. Hello, House. And here we were just talking about arranging a meeting. What luck, eh?
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But that doesn't mean he can't fuck with House, which he plans on doing. Whichever room House moves to, Royce lurks near, hood up. He knows House is going to try to bait him, and he almost welcomes it. He doesn't start any conversations, but he's always in the room with House, always out of arm's reach, silent and only half-visible in the shadow of the house, with the exception of his glowing eyes under the dark depths of his hood.
He's watching. ]
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You look older.
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cw: allusions to suicide
welp this is gonna be great shortly
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He puts his pack in the closet and just takes his hand sanitizer with him. House steels himself before he pulls the chair he'd wedged under the door handle away, and steps out onto the second floor landing. His shoes are off, and he moves as quietly as he can over to the bathroom. It's a few minutes later that he's done and sanitizing his hands. All right. Now to just get back where he came from. Everyone seems to be asleep. Thank god.
House opens the door to the bathroom again.]
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Royce has his hood up, eyes glowing faintly as usual, not visibly armed. But you can absolutely bet he's got all of his sharp items on his person somewhere. His arms are folded across his chest. He doesn't say anything - he'll let Alfie say hello, he thinks. ]
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Tifa.
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He hums it quietly when she approaches, pausing where there's static. ]
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He's half-expecting Royce or someone else to break down the door with an axe and come after him, either because they hate him or because the Prophet has a grip on their minds. Layered on that now is the sadness from whatever the effect of the song is. House keeps track of it like he ordered Kid to in his notebook. It's unlikely this is actually going to help, but it's something to do.]
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Not a peep is uttered. But a moment or so passes, and then a folded piece of paper is wedged under one side of the door, getting crumpled between furniture. Strangely, it isn't a drawing this time, but a letter, stamped with one or two bird stickers, written in childish script with an obnoxious gel pen:] I'm still mad you ripped my drawing, but I'm sorry Mister Alfie & Royce did mean things to you. Kesara said it's okay if people get what they deserve. But I felt bad they did mean things to you, so maybe Kesara is lying.
If you can fit nice and mean inside of people without blowing up, Mister Alfie and Royce have nice and mean inside them.
Thank you for the prosesed chicken.
Emily
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But then she is up, seeming better. Less terrified and more generally jittery, but also hungry and thirsty. She eats the last of House's chicken nuggets on the bed with "Anton," the stuffed cat.
Afterward, she ventures carefully out to look around if no one is in the room before then.]
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Hello.
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He doesn't say anything to her. ]
wtf i hate your ass get out of here
c:
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BUILDING 101
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'Keep moving.'
Of all the rules for surviving in Norfinbury, that one has become the most ingrained. It was a rule in Afghanistan, too. If you can move, keep moving, no matter what. He doesn't get very far, and when he arrives at the new house, he just drops his pack in the corner of the living room, sits down and does absolutely nothing. John lets his mind blank out as he stares ahead, not seeing anything.
He could have stopped this, but he'd decided trying to meet up with the Joker and get rid of him was more important. He could have stopped this, but he'd relied on Sylar to be more persuasive. If anyone enters, he won't acknowledge them first. Just sit there with his back to the wall, curled against his pack. There's a cat hair-covered blanket on his shoulders.]
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He just stands and watches for a few moments. Then he tosses another blanket around Watson's shoulders, and drops an apple and a box of Cheez-Its onto his lap.]
Eat.
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Um, John? Is everything okay?
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Watson. [ Royce says quietly, crouching down in front of the doctor. He doesn't sound angry or anything, just. There. Royce is just existing, at the moment. ]
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He tries to do it quietly, because he doesn't want to talk to Alfie about this, but he figures he's going to get caught making his way upstairs. ]
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FLURRY
LAUGHS
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