[It's midday, or what passes for it in Norfinbury, when Beckett's ongoing video feed opens up to the whole network, showing the field of snow with the shadows of skyscrapers in the background. Front and centre, fading in and out of the snowfall, is the anomaly. His anomaly.
Two faces: perhaps an amalgamation of limbs and pieces, all pallid and corpselike, making up the body of a sharply beautiful young woman, her hair sweeping to her waist, her lips ruby; perhaps that same face within swarming, oozing darkness, floating at a distance among writhing tentacles. But it isn't her appearance that Beckett is interested in. He asks her questions, urgent, demanding, and she speaks back, but doesn't answer - not in any way that makes sense. Between them they make a drawn out disjointed dialogue:]
What is your name?
- just like you, [says she.] Forced here against my will. Always forced -
What is the last thing you remember?
And you always knew when to get out, didn't you. Not right, not fair -
Who brought you here?
And me - we - me - all wrong, dragged across in bits and pieces -
Who - what put you together?
Without the light, it's not a thing, you fool, you can't dig it up from the ground, it's the idea, the luck of it -
Where are your other parts? [His voice starts to strain. The camera tilts.] Lucita, tell me -
Thought it was fixing me, look at me, look at us, I can still feel it saw at my bones. Why couldn't it have been you? It was my sacrifice, mine, mine -
Do you know who I am?
And you are whole and what are we what am I - [The vision steps back as Beckett pushes towards it, into the thickening snow, black fading out in white.] Tore my hands tore my eyes tore my heart and you - you - you - !
Lucita! Do you know who I am? Do you remember us? Do you -
Damn you, Beckett, you left me to the darkness!
[With that howl, she's gone, faded into the storm. Beckett takes a few running steps after her -] Lucita! Answer me! Lucita! [ - and gets nowhere. She's gone. It's gone.
The screen tilts wildly. In a flash of fury, Beckett smashes his tablet down to the snow.]
Two faces: perhaps an amalgamation of limbs and pieces, all pallid and corpselike, making up the body of a sharply beautiful young woman, her hair sweeping to her waist, her lips ruby; perhaps that same face within swarming, oozing darkness, floating at a distance among writhing tentacles. But it isn't her appearance that Beckett is interested in. He asks her questions, urgent, demanding, and she speaks back, but doesn't answer - not in any way that makes sense. Between them they make a drawn out disjointed dialogue:]
What is your name?
- just like you, [says she.] Forced here against my will. Always forced -
What is the last thing you remember?
And you always knew when to get out, didn't you. Not right, not fair -
Who brought you here?
And me - we - me - all wrong, dragged across in bits and pieces -
Who - what put you together?
Without the light, it's not a thing, you fool, you can't dig it up from the ground, it's the idea, the luck of it -
Where are your other parts? [His voice starts to strain. The camera tilts.] Lucita, tell me -
Thought it was fixing me, look at me, look at us, I can still feel it saw at my bones. Why couldn't it have been you? It was my sacrifice, mine, mine -
Do you know who I am?
And you are whole and what are we what am I - [The vision steps back as Beckett pushes towards it, into the thickening snow, black fading out in white.] Tore my hands tore my eyes tore my heart and you - you - you - !
Lucita! Do you know who I am? Do you remember us? Do you -
Damn you, Beckett, you left me to the darkness!
[With that howl, she's gone, faded into the storm. Beckett takes a few running steps after her -] Lucita! Answer me! Lucita! [ - and gets nowhere. She's gone. It's gone.
The screen tilts wildly. In a flash of fury, Beckett smashes his tablet down to the snow.]
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