Snowblind Moderators (
snowblindmods) wrote in
snowblindrpg2018-10-21 11:49 pm
Entry tags:
- !event,
- *log,
- *open,
- alfie solomons (peaky blinders),
- america (hetalia),
- ecks (original),
- event,
- flynn carsen (the librarian),
- gregory house (house md),
- john watson (bbc sherlock),
- kunsel (final fantasy vii),
- peter quill (mcu),
- sheena fujibayashi (tales of symphonia),
- stephen strange (mcu),
- sylar (heroes)
[log] Event: Metamorphosis, Part Two
Characters: the infected
Location: ???
Date: Morning 414
Summary: You have to get out.
Warnings: vague body horror, mild starvation, please note specifics in the subject line
Location: ???
Date: Morning 414
Summary: You have to get out.
Warnings: vague body horror, mild starvation, please note specifics in the subject line

cw continuing body horror, references to alien/parasites, ptsd
Somehow, impossibly, it's gotten worse.
How long have they been here? When did everything go dark? Peter can't remember. He can't exactly remember if he'd fallen asleep...maybe? Maybe not. Maybe it's only been a couple of days? Had to be, with how hungry he was. Either way, he had to get outta here, whatever this place actually was.
Everything feels so wrong. Like, the alien thing seems to have settled down, which you'd think was a plus? But now he just feels sick and gross. His insides feel super wrong, even though that didn't make any sense--none of this makes any sense. An emptiness, but not actual emptiness, cause he's not empty, there's just something else there. He's not sure why he can't walk, but it's like, whatever's been poured in him is all stuffed up in the wrong places. And nothing feels right, like he's all...mushy.
He's genre-savvy enough to know where this is going. They gotta get outta here.
While crawling along, trying to find his way in the dark to figure out how to get outta here (wherever here even is) Peter accidentally crashes into, well, you.]
Hey! Watch where you're going!
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Or you can watch where you're going.
[ He feels heavy and empty all at once. It's an odd feeling, and he's throwing his all in ignoring it. And here's Planet Jr. making himself useful for once and giving him just the distraction he needs. ]
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You literally crawled into me. [ Royce hisses, trying to hunch away. ]
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[Hey Peter, three guesses who you ran into.]
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cw: panic attacks, mild references to ptsd
It takes a while for it to click. So long that she isn't even sure when it happened. All she knows is that she isn't glowing any more - there's no light shining from her tattoos. There's only the dark. ]
Oh, that - no, no no, no--
[ Are they still there at all? Maybe they've just returned to the natural, unglowing blue state they were in before everything went to heck. Maybe. Oh god, she has to see, she has to know, she has to get out --
She's close enough to the door to push her shoulder against it and hit out at it with her fist, so. That's what she does, despite the futility of it. ]
Let us out! Let us out, you sack of skagshit!!
[ She sounds considerably less composed than usual, to say the least. Try not to get hit by a flailing fist if you're crawling over to check out the door. ]
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Angel.
[Rude.]
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the latest ending tag ever
cw for mention of drugs and confusing reality? Idk. Thread will be pretty mild.
...
It's that mindset that's left Junpei unwilling to help this time around. Sure, there's a door. But won't it just move away if he reaches it? Probably. That's how dreams work. No sense testing it. He can't move right, anyway, and trying to feels wrong in too many ways at once. It's easier to just lie on the floor and do nothing.
He'll talk, though. It'll take a lot more than feeling like he's been forced onto some overpowered drug trip to stop that.
Maybe he's just talking to himself, unaware so far that any of those thoughts may have been out loud. Or maybe someone's approached him and he's overheard their complaints as well.
Either way, he's not going anywhere.]
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...reaches out and tries to poke him with a finger.]
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John's dragged himself over to the door, as well, wanting to escape.]
Who?
[His voice is ragged, barely recognizable.]
S'John. Who's touching me? Need to get the door open.
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[ He doesn't mind being grabbed so much, right now- in fact, he's probably calmer sounding than he should be. But he'd like to know who it is. ]
It's me, it's Gabriel. Who is this?
[ He tries to determine it by feel, but- they're all sort of the wrong shape, even in the hands. ]
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He feels wrong.
Oh no. Beckett and Angel were in this room too. Are they like him?]
What has he done to us? Miller, what have you done to us?
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Two places at once. How do you get to be two places at once? Is this a copy? Is he a copy? Is he seeing what his copy is seeing, maybe? Would Miller be able to do that? Superimpose the experiences? Just overlay the neural maps, right? They'd be almost identical.
His body is wrong. It feels almost boneless as he drags himself along. But he has to have bones. The door is there now. They need to get out. They're slowly turning into... what? Slugs? Shapeless mounds of flesh? Anomalies? He pictures that thing they'd seen over the video footage down in the emergency repair area. A mass of flesh. Angry, reaching, demanding. Why did you get out and not us? Why do you have your lights? Why? Why? Why?]
We're turning into anomalies.
[Hello, whoever is nearby. Have House offering his quiet, terrified assessment of the situation.]
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But would leaving be a good thing or a bad thing?]
We're in some kind of shared collective, unreal dream space.
If this is true, then our minds, our brain maps are being overwritten. Our internal images of ourselves are being changed, somehow.
[Malleable...bodies. Can't be real. Everything feels wrong. He hates this. He touched his own leg once and that was a horrendous surprise.]
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cw: self-harm
cw: self-harm
cw: self-harm
cw: self-harm
cw: self-harm
cw: self-harm
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[ He gets Royce's hoarse and angry voice from a few feet away. He's been trying to get to the door, slowly, and about halfway there he gave up because his limbs are not cooperating. House's voice - and his assessment - make Royce recoil. ]
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[ He states it as a matter of fact. ]
The anomalies came in wrong. We're- corrupting data. Pretty sure we're gonna form our own little ball of consciousness eventually, here.
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think we can ftb on your tag!
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And something else.]
Copies...are we- are we the copies? We've been here but we haven't.
[A beat, a panicked breath.]
Copies can't have light, can they?
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Snowbo Herding
Get over here. [ His voice sounds like shit from damaged throat and he's all out of patience. ] Quit crying and make yourselves useful. Let's all try hitting it all at once.
[ Yeah, he's asking for help and for everyone to work together. ~*~*TEAMWORK*~*~]
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T e A m W o R K!]
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cw: overstuffed body horror obvs...
Even being bent in weird ways is not totally foreign. But that's usually accompanied by pain, and the awareness of bones, particularly those which may be broken. England can't feel his bones, broken or otherwise. He doesn't feel much of anything, besides gnawing hunger and an overwhelming wrongness. He wants to liken it to nausea, the sensation of a churning stomach, but in his entire bent up body.
England, what if he's putting them into anomalies?
It takes some time to get past the rising well of panic in his chest, and even more time to situate his bloated limbs in a way that doesn't feel too pathetic. His nerves show through in a current beneath the forced levelness of his voice as he addresses the others, and his exhaustion from their physical condition is palpable regardless.] Does anyone else...remember being somewhere else?
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Nations never die, at home. He's used to drifting in and out of consciousness as his body knits itself back together. (Or maybe "used to" is the wrong word, but he understands that feeling.) This--this is--
England is here. He can hear England. He can answer England. These are things he can do.]
Yeah? Well, I guess it depends on what you mean.
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And this is worst of all. That he has two jumbled sets of memories and he knows Miller made copies...]
In Norfinbury proper. We've been here but haven't. Why is he doing this to us?
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It's so much worse than it was last time. It was scary to be sick, but this is—this isn't even her body. It can't be. She's made of metal, chips and gears and wires, cold and hard, and everything feels—like the yielding, melting flesh of a Shadow, but it's inside her, and she can't see, and there's no diagnostic reading of her own body to guide her—
She reaches out, blindly, and touches something. Plastic? Bottle-shaped. Her clumsy sweeping knocks one over. She hears the slosh of water.
Water. She needs water now. They all need water.
It's difficult to open with such disfigured, disproportionate hands. She eventually manages. And, figuring that the humans (already squishier than her, even before this horrible transformation) might have trouble too, she addresses anyone she hears approach the stock of water, especially if there is the sound of fumbling with the bottles. Her voice is emphatic with fear.] I can help. Please let me help.
[Please let her be useful. Please give her a purpose in this terrifying moment.]
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It's so difficult to coordinate his movements. Everything his wrong, his body and his self and everything surrounding him, it's all wrong and he's scared, he's so, so scared he's bordering on hysterical when the strange voice speaks up.
Help? Is there help? Can they help?]
Who... who is there? Who is this?
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cw childish distress, probably references to parasites, body horror, etc.
This is intolerable. It has to end, but she does not know how to make it end. She wants to sleep and pretend it is not happening, but it is so dark and she is not certain at any time whether or not she is awake. She wants to stand, but her knees do not bend the right way anymore and her muscles do not seem like muscles at all.
She huddles against the wall when she finds it, craving touch and fearing it all at once, wanting and not wanting to know if all of her friends have become whatever she has become. Her voice is muffled as she buries her face in her arms as though it'll do anything more to block out the world than the darkness has already done for her.]
I want Red Cat. I want Red Cat right now.
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