Enoch (
warriorscribe) wrote in
snowblindrpg2017-05-23 10:27 pm
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[network][video] @Enoch; Day 241 [open] [blood and bones and human skin leather, Hell Tower]
[Enoch speaks from behind the camera as it is raised from pointing at his feet, having turned the video function on in some amount of haste. The camera pans over the grisly scene of building 264, and all of its "blood, broken bones, scattered teeth, human skin turned to leather and used to decorate the walls". There are prophet symbols all over the cubicle walls and the walls of the building itself.]
Look at this...what did they do, all in the name of some "prophet" who was only a frightened, blinded girl? [He speaks to someone farther behind the camera:] Quark, perhaps you should go back up to the bridge? This place is... I don't want to subject you to it.
[When Quark has gone, after whatever discussion ensues, he resumes talking to the network.]
The air here... [He swallows heavily.] It's awful, thick and foreboding. Oh, it's like breathing vileness in all over again... I should follow him, get out- no.
[He tucks the tablet into his makeshift belt and goes outside, finding a spot away from the door and beginning to dig in the snow, unslinging his backpack and bringing out a large, flat piece of scrap metal to act as a crude shovel to help.]
I can't leave it like this. This is wrong, to leave these people like this. I can't bury all of it, but-
[He's interrupted as he hits ground beneath the snow. He can't dig through it no matter how hard he tries.]
...That isn't ideal. But it must suffice.
[He returns inside, shuddering as the atmosphere rolls over him, and begins gathering as many remains as he can carry at a time, moving them to the grave he'd just dug in the snow and clearing out snow that had fallen in. He tears a piece of leather off the wall and reveals a prophet symbol, which he pauses at with a wordless noise of surprise.
He comes back to this uncovered eye after finishing his crude grave and the doors have locked for the night. His breathing is heavy from the labor and distress as he removes the camera from his "belt" and switches it to the internal camera to show his face. Despite all the activity, the oppressive atmosphere and gruesome task has him looking sickly pale, the healthy flush draining from his face rapidly.]
I wonder why...what significance did covering these eyes have, and why human skin? Why such a macabre scene? I hope I've brought some comfort to whoever belonged to those remains I buried...they must be suffering in here.
((Anyone else staying the night here is free to come down and drag him upstairs where it's marginally less hellish. Or just announce their presence because he thinks he's alone in here.))
Look at this...what did they do, all in the name of some "prophet" who was only a frightened, blinded girl? [He speaks to someone farther behind the camera:] Quark, perhaps you should go back up to the bridge? This place is... I don't want to subject you to it.
[When Quark has gone, after whatever discussion ensues, he resumes talking to the network.]
The air here... [He swallows heavily.] It's awful, thick and foreboding. Oh, it's like breathing vileness in all over again... I should follow him, get out- no.
[He tucks the tablet into his makeshift belt and goes outside, finding a spot away from the door and beginning to dig in the snow, unslinging his backpack and bringing out a large, flat piece of scrap metal to act as a crude shovel to help.]
I can't leave it like this. This is wrong, to leave these people like this. I can't bury all of it, but-
[He's interrupted as he hits ground beneath the snow. He can't dig through it no matter how hard he tries.]
...That isn't ideal. But it must suffice.
[He returns inside, shuddering as the atmosphere rolls over him, and begins gathering as many remains as he can carry at a time, moving them to the grave he'd just dug in the snow and clearing out snow that had fallen in. He tears a piece of leather off the wall and reveals a prophet symbol, which he pauses at with a wordless noise of surprise.
He comes back to this uncovered eye after finishing his crude grave and the doors have locked for the night. His breathing is heavy from the labor and distress as he removes the camera from his "belt" and switches it to the internal camera to show his face. Despite all the activity, the oppressive atmosphere and gruesome task has him looking sickly pale, the healthy flush draining from his face rapidly.]
I wonder why...what significance did covering these eyes have, and why human skin? Why such a macabre scene? I hope I've brought some comfort to whoever belonged to those remains I buried...they must be suffering in here.
((Anyone else staying the night here is free to come down and drag him upstairs where it's marginally less hellish. Or just announce their presence because he thinks he's alone in here.))
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My own needs...
[The only reason he considers it at all is because there's nothing he can actually do here, not yet, to meet the spirits' needs.]
I know dying here will do me no good, but I'm not certain what else I could be doing. I have no appetite, and don't think I can sleep here. I can't leave until morning. I'm warming myself as best I can.
[Psychological needs? What are those? He's aware of them on an instinctual level, and is happy when someone else pays attention to them, but has very little capacity to recognize them as true needs. He's better at - of course - seeing them in other people.]
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If it does not, perhaps I can help.
[ He doesn't mind staying up purring for a while. ]
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He distracts himself with the Cat's offer. A cat's purring is relaxing, but between the tablet and the fact that he never fell asleep to a cat's purr, he doesn't immediately get it.]
Help? How so?
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I may not have the powers normally afforded me, but I am still a cat. Many creatures find a cat's purring to be quite soothing.
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I'm afraid I wouldn't know the extent of it. All the cats I've been acquainted with spent their nights chasing smaller animals rather than indoors with humans trying to sleep. It is quite a nice sound, though.
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[Well he's actually sort of joking (or at least using a joking tone), so that's a good sign. If nothing else it means he's not beyond typical defense mechanisms.]
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[ Being cryptic is one thing, but leaving divine messages and such is just silly. ]
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[This is a good thing to talk about. Heaven and its silly penchant for being vague. Not how this place makes him feel.]
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[He's amused instead of insulted. He understands, he thinks. Angels had issues understanding humans more often than not.]
Innate immortality tends to belong to those with an odd perspective on the lives of mortals.
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[ He yawns. ]
None that I know have ever shown any interest in mortal affairs. And I have little interest in them.
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[He's used to immortals - those "born" immortal - being made for a specific purpose. It's the situation he defaults to, more or less.]
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We certainly are unique, for better or worse. What is it that draws you to us, if I may ask?
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Of course - give a reasoning being mortality, leave him to carve out his own niche in the world with only the directive to take care of it, and the capacity for language to express himself, and what can you get but unrelenting passion?
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[Phones...it's strange to think now that the idea should still be mostly alien to him. A device only his angelic companion had, and only used to talk to God. Nominally a human invention, yes, to talk to other humans, but never used by a human in his own experience, until Norfinbury.]
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How do you measure a person's worth, exactly?
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cw: more direct talk of suicidal stuff