Bucky Barnes (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
advanced) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
snowblindrpg2017-03-29 10:18 pm
advanced) wrote in snowblindrpg2017-03-29 10:18 pm
[log] soft toy exchange [closed]
Characters: Bucky, Steve, House, Ecks, and Castiel
Location: The museum
Date: Evening/Night of 223
Summary: Two sets of travellers run into each other
Warnings: Probable violence
[199: Though the building itself isn't the largest, the high ceilings and information desk through the double doors make it clear that this is a museum. This area is clearly marked as the West Entrance. Occasionally, information pamphlets can be found naming this place as the Norfinbury Museum of Art.
Surprisingly, most of the art has been left in the museum, and what hasn't been left still bears an informative plaque about the piece. None of the artist names are familiar, and nothing is dated any later than 2050. Unfortunately, probably due to the failed climate control, much of the artwork has degraded.
What can still be made out seems to indicate that this museum had an eclectic collection of traditional Alaska Native art as well as pieces contributed by other artists living in Norfinbury. Some of the plaques indicate that the museum was dedicated to fully encompassing the diverse and creative spirit of the town. There appear to have been a few works addressing the protests, but the information on these is minimal compared to less political pieces.
The building is bisected through the middle by the collapsed glass roof. Once buried in snow and rubble, a path has been carved through the mess, revealing the other half of the museum.
Where the western hall seemed to degrade from neglect, it's very clear that the eastern hall has been purposefully destroyed. Glass display cases have been shattered, sculptures dissected, frames knocked to the floor and paintings shredded. Information plaques have been painted over or broken entirely. Graffiti covers the walls, even up near the high ceilings. It doesn't resemble traditional vandalism, though, the illustrations chaotic and abstracted even where they represent recognizable subjects. Eyes feature prominently, in various stages of abstraction and occasionally grotesque in appearance. Though often barely legible, the words "long live the prophet" are also recurring throughout.Continuing on, the East Entrance area is architecturally a mirror of the West Entrance, but it has been similarly ransacked. There's barely an inch of wall that hasn't been vandalized, and the only informational pamphlets have been ripped to tiny pieces. But at least the double doors can be opened. Many of the prophet eye symbols have been blacked out with charcoal, but not all of them.]
Location: The museum
Date: Evening/Night of 223
Summary: Two sets of travellers run into each other
Warnings: Probable violence
[199: Though the building itself isn't the largest, the high ceilings and information desk through the double doors make it clear that this is a museum. This area is clearly marked as the West Entrance. Occasionally, information pamphlets can be found naming this place as the Norfinbury Museum of Art.
Surprisingly, most of the art has been left in the museum, and what hasn't been left still bears an informative plaque about the piece. None of the artist names are familiar, and nothing is dated any later than 2050. Unfortunately, probably due to the failed climate control, much of the artwork has degraded.
What can still be made out seems to indicate that this museum had an eclectic collection of traditional Alaska Native art as well as pieces contributed by other artists living in Norfinbury. Some of the plaques indicate that the museum was dedicated to fully encompassing the diverse and creative spirit of the town. There appear to have been a few works addressing the protests, but the information on these is minimal compared to less political pieces.
The building is bisected through the middle by the collapsed glass roof. Once buried in snow and rubble, a path has been carved through the mess, revealing the other half of the museum.
Where the western hall seemed to degrade from neglect, it's very clear that the eastern hall has been purposefully destroyed. Glass display cases have been shattered, sculptures dissected, frames knocked to the floor and paintings shredded. Information plaques have been painted over or broken entirely. Graffiti covers the walls, even up near the high ceilings. It doesn't resemble traditional vandalism, though, the illustrations chaotic and abstracted even where they represent recognizable subjects. Eyes feature prominently, in various stages of abstraction and occasionally grotesque in appearance. Though often barely legible, the words "long live the prophet" are also recurring throughout.Continuing on, the East Entrance area is architecturally a mirror of the West Entrance, but it has been similarly ransacked. There's barely an inch of wall that hasn't been vandalized, and the only informational pamphlets have been ripped to tiny pieces. But at least the double doors can be opened. Many of the prophet eye symbols have been blacked out with charcoal, but not all of them.]
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