Gregory House, MD (
rubikscomplex) wrote in
snowblindrpg2017-01-25 08:33 am
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[log] Look Away, Look Away [closed]
Characters: Gregory House, Stephen Strange, Claire Temple, Ecks, Rhys, Angel
Location: Building 29
Date: Night 202
Summary: Traumatized by their exciting adventure in the snow, a bunch of people turn up at a shed where House made the mistake of staying put.
Warnings: Severe injury (face mutilation), blood, burns, frostbite, narcotics withdrawal, suicidal ideations, general discussion of psychological trauma
[A small shed outside the school, going inside reveals sports equipment is being stored in here. There are hurdles, various sports balls, giant mats, and the like. There's nothing that could be used as a weapon, though, unless you're going to try to hurl a basketball at someone's head. This is the only place on the campus it's possible to stay in overnight--if you try to stay anywhere else, you'll be made to leave at 7PM. The following is written on the wall in blue ink: "This is Building 46 on the composite map. Contact @CaptSteveRogers for details." Underneath is a fairly accurate map showing the shed in relation to the school. The school is labeled "School. Food available in cafeteria; DO NOT STAY HERE OVERNIGHT." The shed is labeled "Shed". Behind the shed is a small army of snowmen armed with sports equipment. There's a drawing spraypainted on the inside of the shed. It has been labeled "GEROMY". The skin color has been left blank.]
Location: Building 29
Date: Night 202
Summary: Traumatized by their exciting adventure in the snow, a bunch of people turn up at a shed where House made the mistake of staying put.
Warnings: Severe injury (face mutilation), blood, burns, frostbite, narcotics withdrawal, suicidal ideations, general discussion of psychological trauma
[A small shed outside the school, going inside reveals sports equipment is being stored in here. There are hurdles, various sports balls, giant mats, and the like. There's nothing that could be used as a weapon, though, unless you're going to try to hurl a basketball at someone's head. This is the only place on the campus it's possible to stay in overnight--if you try to stay anywhere else, you'll be made to leave at 7PM. The following is written on the wall in blue ink: "This is Building 46 on the composite map. Contact @CaptSteveRogers for details." Underneath is a fairly accurate map showing the shed in relation to the school. The school is labeled "School. Food available in cafeteria; DO NOT STAY HERE OVERNIGHT." The shed is labeled "Shed". Behind the shed is a small army of snowmen armed with sports equipment. There's a drawing spraypainted on the inside of the shed. It has been labeled "GEROMY". The skin color has been left blank.]
cw: blood, face injury/skin removal, narcotics withdrawal, suicidal ideations
[House is unconscious from the blood loss and pain by the time anyone turns up. There's a thin hospital bed sheet wrapped tight around his head that has slits in it for his nose and mouth. The sheet is dark and wet with blood, and secured in place with a red bandana. There's blood staining the clothing on his upper chest, as well, where shards of plastic from his exploded tablet have ripped through the fabric and embedded themselves in him.
His whole body shakes slightly in his sleep, and anyone who tries to get a pulse will find that his is erratic and his skin clammy.]
Later
[House is a awake. He has no desire to be awake... ever again, if he really has his way about it. But going back to sleep isn't an option he likes to imagine, either, not with the nightmares that come. He's in Vicodin withdrawal and agony, so anyone approaching will find him looking not only violently mauled, but sickly, as well, feverish and shaking. It's not visible, but he feels incredibly nauseous, as well. They'll get snapped at if they linger near him.]
What?
earlier
She has at least some idea what she's doing, having assisted with a few
experimentssurgeries in her time back home. Stop the bleeding, keep the body warm. She turns on the fireplace application on her tablet before wrapping the device in a hand towel, afraid it will burn him otherwise, and tucks it into the front of his coat as best she can before taking off her own coat to drape it over him.Shivering more violently now, trying not to turn her head from side to side, she finally forces herself to look at the part of him that fills her with absolute dread. Is his face gone? She feels deeply unwell at the thought; there is no living without a face, no person without a face. She doesn't realize she's making little groaning sounds as she pulls her own sheet from her pack and wraps it around his face, leaving the breathing holes clear as she gently presses with both hands.]
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St-stop...
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You are bleeding.
[She assumes this. There is so much blood that his face must be gone and all his blood going with it. She does not want to take off the mask he has made for himself and know this for certain.]
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[Okay. That's overly dramatic, but he really does feel like death warmed over. House recognizes Ecks' voice, though. And her groaning. Why is she groaning?]
What happened?
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[He has no face he has no face HE HAS NO FACE.]
I do not know. I found you and you are bleeding and your face is gone and I do not want you to die again.
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later!
[ She has to swallow back a yet, with House looking as bad as he does. Angel, on the other hand, seems relatively unscathed - her burns are completely hidden by her clothing, and she's well-trained when it comes to keeping pain from showing on her face. ]
What the heck even happened to you?
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An anomaly came out of the tablet and tried to chew my face off. [So, that happened.] And I haven't had Vicodin in two days. What happened to you?
[Because he's willing to bet that something happened to everyone to one degree or another.]
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[ She's trying not to sound too sympathetic, but. Shit's nasty, bruh. ]
And this is you going without for just two days?
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[This is why he gets upset with people stealing his meds, Angel. He can guess what 'skin pizza' means without having to ask. The fact that her world has a term for it is disturbing in the extreme.]
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[ There's no use in snapping back, is there? Not while he's in this state, anyway. And especially not when they're all in such confined quarters. ]
Did the admin cut you off?
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later later
It's the first time she's in the same place as Ecks and House. She - well, she looks different than Claire expected but that's not surprising. House, though. He just looks hurt, and she approaches later, when he's alone and breathing shallowly, sitting by his side, a comfortable distance away. She completely ignores her own burns for now.]
Can I check your temperature?
[She knows better than to reach out without his permission. But it's an easy place to start.]
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Cover it.
[The words are managed after a few seconds.]
Just disinfect. Cover where you can.
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cw: insensitivity regarding disabilities
cw: insensitivity regarding disabilities
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[Once they're settled, Claire sets up shop. She pulls out her kit, and will wave over anyone who needs looking after after what just happened to them all. She's shaky, feeling on the verge of throwing up, but she'll power through. Come get nursed.]
Sleepless
[Later, she curls up with her backpack in a corner of the shed, trying to fight the shivers of cold running up and down her spine. From time to time, she can be seen muttering a prayer, fingers moving along the beads of her rosary. But she's open for a quiet night time conversation. She doesn't think she'll be getting much sleep.]
ER
The first and second degree burns that ring her neck are ugly, raw red where they aren't mottled with white from the frostbite she gave herself pressing snow on her bare skin. Blisters are threatening to form, but the injuries are too new to have begun the healing process.]
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Hi, Ecks. It's nice to meet you in person.
[Claire keeps her voice low and soft - she can see that Ecks is shaken, just as everyone else is, still reeling from the events of the day. Claire can't tell what Ecks saw, what happened to her, and she's not going to ask. Now is not the time.]
Do you mind if I look at your neck?
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[It's practically rote. She keeps unfocusing, but as she sits down in front of Claire her gaze gets sharper again and her shoulders grow tighter.]
Why do you want to look at my neck?
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Because you are injured, and I am a medical professional. I can assess the injury if I take a look at it, and if it needs treatment I can provide it. If you'd rather someone else do it, that's fine.
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Sleepless
The sounds that come from his spot by the wall are soft: little shifts in position, an incoherent mumble. When he wakes it's not with a shout but with a gasp, fingers grasping clumsily at the fabric of his cloak, his breathing more rapid than it should be as his waking brain struggles to ground itself in the present. Stephen lets out a groan as current circumstances come back to him, not much better than the dream he just left. Only then does he realize that someone else is awake and goes abruptly still again.]
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What do you dream about?
[She asks in a whisper, leaving the question vague enough that he doesn't have to talk about the nightmare he just woke from if he doesn't want to.]
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What does anyone here dream about?
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Personally, it's generally death. My loved ones dying. People I care for ending up here, and not making it. Or finding myself facing an anomaly that looks like someone I know.
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nighttime
He doubts he'll get much sleep tonight, but he'll make the usual effort to clear his mind enough to at least try. Cloak floating in the air nearby, he settles into a cross-legged position, hands palm-up on his knees, and lets out a little sigh as he rolls out a kink in his shoulders and starts to focus inward.]