John Watson (
jumpthegun) wrote in
snowblindrpg2016-09-26 06:02 pm
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[log] The Hills Have Eyes [closed-ish]
Characters: Watson, Charles, Davesprite, Bucky, Zell, Sora, Kunsel, Homura, and Quark
Location Building 235 (Aquarium) and Building 130 (Pharmacy)
Date: Day 162 - 164
Summary: Eyes appear all around, static and paranoia return, friends arrive with fire, hopefully no one is getting attacked. Later, Bucky, Quark, and John discover evidence of Fiona's murder.
Warnings: References to character death.
[The aquarium has the feel of a small-town tourist attraction, the sort built to give people just stopping to fuel up on petrol a reason to stay for an hour or two. There are various aquariums inside that, according to plaques beside them, once showcased various Alaskan fish; they're empty now. The whole atmosphere is kind of eerie, with the water casting rippling patterns on the walls, ceilings, and floors, but there's hot water in the sinks for anyone who wants it.
What's probably unwanted by everyone is the eyes. They're on the walls, drawn in the frost on the windows, they're on the ceilings, and the static crawls its way over walls and people. The sense of being watched, of being followed, is strong.]
Location Building 235 (Aquarium) and Building 130 (Pharmacy)
Date: Day 162 - 164
Summary: Eyes appear all around, static and paranoia return, friends arrive with fire, hopefully no one is getting attacked. Later, Bucky, Quark, and John discover evidence of Fiona's murder.
Warnings: References to character death.
[The aquarium has the feel of a small-town tourist attraction, the sort built to give people just stopping to fuel up on petrol a reason to stay for an hour or two. There are various aquariums inside that, according to plaques beside them, once showcased various Alaskan fish; they're empty now. The whole atmosphere is kind of eerie, with the water casting rippling patterns on the walls, ceilings, and floors, but there's hot water in the sinks for anyone who wants it.
What's probably unwanted by everyone is the eyes. They're on the walls, drawn in the frost on the windows, they're on the ceilings, and the static crawls its way over walls and people. The sense of being watched, of being followed, is strong.]
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I said walk away.
[He's losing, he's losing, he's losing.]
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Focus, Bucky. Not on the static, not on the eyes. Focus on something else. Focus on yourself. Focus on my voice. Pick something else or you're going to drive yourself up a wall, mate.
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It's both grounding and infinitely frustrating at the same time, especially with how afraid he is that he's about to lose completely and finish what he started before.]
Please.
[It's soft, nearly inaudible. He doesn't want to hurt anyone else.]
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Listen to my voice. Talk to me, Buck. [The nickname just slips out.] Talking's not going to hurt anything, right? It's just talk. Tell me about something outside this place? Tell me about a dame you liked.
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There were a lot, I never went steady with any of them.
[He wracks his mind for even one, any one.]
Gals like a man in uniform, I stepped out with a different one every weekend.
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[Wouldn't think to look at him now.]
You said you took dames out when you were in the army, you go dancing?
[He doesn't sound like he cares at all, more like he's asking for the sake of having something to ask, to focus on.]
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[A burst of static across his vision makes him shrink further into himself, hands visibly shaking.]
Walk away. [He knows he's said it before, he knows John said no, but he has to keep trying. He has to.]
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He places his hand against the wall and lowers himself down, painfully slowly.]
Tell me about one of your fights. And good ones before you went off to the Army? Big-timers you took down.
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No.
[Seriously, man, he's trying to be the better man here.]
It's not working, and you're going to get hurt.
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[There's a lot worse, but John's going to stay calm, even, a steady voice and presence, whether Bucky likes it or not.]
Would it be easier with me talking about myself? I could tell you about my sister, Harry.
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--Fine. Talk.
[But if this doesn't work, he's going before he does anything else he'll regret.]
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Tell me more, do you get on?
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[This isn't something he'd normally share, but he's pulling anything he can to keep Bucky focused on the moment.]
We were better when we were little. She got picked on a lot after she came out. I helped her with the bullies. She's the only one who supported me going off to fight, really. Mum and Dad didn't like it.
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[What does that mean?
Came out from where? He's from the 1940s and his time as the Soldier wasn't exactly spent researching LGBTQ rights or terminology.]
Came out from where?
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Married to another woman. Well. Wasn't that something?
He has no idea what to say to that, so he just nods awkwardly.]
Sorry it didn't work out.
[That was a strange thing to say. Moving on.]
The world has changed a lot since I was last dating anyone.
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[He sighs.]
Like I said, we don't get on. But as much as the world changes, it stays the same. People fall in love, they get married, divorced. Had a few gals I thought might work out. Didn't end up that way. [Thank you, Sherlock Holmes.] But there are other people out there--men, women, whatever you like.
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I don't think I'm going to be stepping out with anyone for a while.
[Or ever. He has other things to worry about. It's so absurd it makes him half smile, until a burst of static has him flinching back again.]
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[So it's a rephrase of what Bucky had told him, but he hopes beyond the static and the eyes that his own words echoed back at him can help him remember that these things happened. This moment is not every moment.]
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It's a strange anchor, another person echoing words back at him. They're not nearly as strong as 'til the end of the line', but they're definitely at least slightly meaningful. He grasps it with his full focus.]
What about you and Fiona?
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